The Lion at Portland Center Stage

On Friday, I attended the opening night of The Lion playing in the Ellyn Bye Studio at Portland Center Stage from May 2 — June 14, 2015. Written and performed by Benjamin Scheuer and Directed by Sean Daniels, the description of the show The Lion reads:

One man, six guitars, and a true story of love, loss, family loyalty, and the redemptive power of music.

The Lion is a candid, poignant, charming offering from a next-generation troubadour.

The Lion  Photo © 2014 Nilaya Sabnis.  Written and performed by Benjamin Scheuer Directed By Sean Daniels May 2 - June 14, 2015 http://pcs.org/lion/
The Lion Written and performed by Benjamin Scheuer Photo © 2014 Nilaya Sabnis.

The Lion premiered in 2014 at got raves in New York during its commercial run Off-Broadway, with reviews such as

“Mr. Scheuer seems to have found a measure of redemption by exposing his own, with a directness and good humor that only the hardest-hearted could resist.” – The New York Times

“Scheuer’s songs are miniature monologues and short stories you’d otherwise expect to find in The New Yorker. The lyrics are smart and highly detailed, the music sweet and satisfying…” – Theatermania

“Poignant and unexpected! Benjamin Scheuer’s songs are powerful, charismatic, and easy to become lost in.” – NBC New York

“For Audiences, Loving Ben Scheuer Will Be Easy… he’s the kind of debonair that reminds you of F. Scott Fitzgerald, a lit match, and whisky on the rocks.” – The Huffington Post

The story of the Lion is at a high level, an autobiographical tale through 16 or so songs that deals with the relationship and legacy of a father and son, and about perseverance from the painful things that may happen in life and are out of your control.

“Truth gets revealed when you’re broken and healed,” Benjamin sings. “Every heart is made stronger by scars… It’s the way that we weather the storm”

Benjamin Scheuer performs “The Lion” at Portland Center Stage. Photo by Patrick Weishampel/http://blankeye.tv.
Benjamin Scheuer performs “The Lion” at Portland Center Stage. Photo by Patrick Weishampel/http://blankeye.tv

With his strong smooth voice, charismatic presence, and then the heartfelt, intimate musicality of his songs, it’s easy to identify with Benjamin. At first The Lion seems easy going and folksy with it’s start with childhood. It is as if you are at a house living room party together late after dinner and rounds of strong drinks on, telling stories and talking about memories.

But, then the narrative and the music gets into loss. As we follow Benjamin through time, the music and lyrics grow from his impetuous youth and typical initial musician exuberance to more reflection and sifting through multiple complex emotions at once as he matures in adulthood.

Now that you feel like you are friends with Benjamin, he will bring tears to your eyes as if that regret and longing is partially reminiscent of your own somehow. He weaves through a boy and his father, a boy out on his own, a boy and his mother, falling in love, the key that another person can unlock in yourself, about growing apart, battles, family, disappointment, anger, waiting, recovering, understanding the past in a new light, gratefulness. This is not just a story about him and his journey, but tugs at your own past and current parallels to his tale.

The music and sincerity of his performance takes you from listening to a story to resonating emotionally with the heart he is baring open to you and in doing so, opens your own heart to yourself. Don’t worry that you’ll be bawling though or the show is overly manipulating your heartstrings – there is a balance of quips of humor interspersed throughout that has you laughing through your tears. Music is the medium to the tale, but also is the tale – it is the connection to his father, to himself, and between all of us in the theater.

If you haven’t been to the Ellen Bye Studio yet, it’s a small theater where the configurations are very flexible but in general you are never very far from the stage and performers. Pretty much every seat is a good seat, and they are all unassigned, so it’s first come first serve when they open the doors. It feels like you are right there in the living room with Benjamin throughout the play, just one of a small group of friends.

Benjamin Scheuer performs “The Lion” at Portland Center Stage. Photo by Patrick Weishampel/http://blankeye.tv.

Benjamin Scheuer performs “The Lion” at Portland Center Stage. Photo by Patrick Weishampel/http://blankeye.tv

Performance Times and Prices (Wheelchair and youth/student tickets $20-25. See more details and other ticket specials for groups or military here):

  • Evenings: 7:30 PM: Tues, Wed, Thurs, Sun ($50) and Friday or Saturday ($55)
  • Matinees: 2 PM Saturday and Sundays ($40) or Noon on Thursdays ($40)
  • Note: Tickets to show in the studio are general admission: a ticket reserves you a place for a specific performance, but not for a specific seat so it’s first come first serve as you enter the theater. They open the doors about 20 minutes or so before the showtime.

The run time of the play is about 75 minutes with no intermission. The Lion is recommended for ages 13+ because of use of mature language, children under 6 are not permitted at any PCS production. Because of the small nature of the Ellen Bye Studio, there is no late seating or re-entry.

Disclosure: I was invited to see this production, but I will always provide my honest opinion and assessment of all products and experiences I may be given. The views and opinions expressed in this blog are entirely my own

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Portland Center Stage Show: Lizzie Musical

Disclosure: I was invited to see this production as part of a complimentary bloggers event, but I will always provide my honest opinion and assessment of all products and experiences I may be given. The views and opinions expressed in this blog are entirely my own.

The Portland Center Stage has just opened recently a new show called LIZZIE. It’s been a while since I visited Portland Center Stage- the last time I blogged about it was when I reviewed I Love To Eat and did a backstage at Portland Center Stage at the Armory, though I also saw The People’s Republic of Portland. Then summer happened, and Feast, and the holidays, and somehow I didn’t get back to a show. Thankfully they came back to my attention when I was invited to Blogger Night at Portland Center Stage, which was also the official opening night of LIZZIE! The show is playing May 24 — June 29 so it only has a 4 week run!

LIZZIE Art by Julia McNamara May 24–June 29, 2014 pcs.org/lizzie
LIZZIE Art by Julia McNamara

A Review of the LIZZIE Musical

LIZZIE is described as

“A rock-show retelling of the bloody legend of America’s favorite ax-wielding double-murderess and Victorian hometown girl. Lizzie Borden, who has become fodder for jump rope rhymes and TV movies of the week, was a Massachusetts woman who was acquitted in 1892 of the ax murders of her father and stepmother, and lived the rest of her life as American’s first infamous tabloid star. But did she really do it? And if so, why?”

Mary Kate Morrissey, who will play Lizzie Borden in Portland Center Stage's upcoming production of LIZZIE - a rock musical about the legendary ax murderess.  Please credit: Patrick Weishampel  LIZZIE By Steven Cheslik-deMeyer, Tim Maner and Alan Stevens Hewitt Directed by Rose Riordan  May 24–June 29, 2014 on the Main Stage
Mary Kate Morrissey, who will play Lizzie Borden in Portland Center Stage’s production of “LIZZIE” – a rock musical about the legendary ax murderess. Photo credit: Patrick Weishampel

My friend M and I went to the opening night last week and had a lot of fun. It turns out that the play is more like a rock concert / musical telling a story with four women fronting a six-piece rock band. Yeah! It was awesome watching these women taking command of the stage with strong performances and crossing genres with their exquisite voices, varying from operatic drama and sweet love ballads to head banging classic rock and roll tinged even with a little punk through the 28 songs that evening.

The first third of the performance starts out slow and a little discordant as the audience (at least IMHO) is presented with the visuals of these four proper ladies in Victorian mannerisms and long dresses and pinned hair singing the story exposition (as you would expect in a musical). At the start it seems to really pile on the background of the situation and characters and possible motivations all seemingly too quickly.

Perhaps part of it was I had to try to adjust so quickly of them switching from singing of longing and desire for freedom and love, which meets normal musical story expectations, to already hiking up their skirts and pulling out a microphone to belt lyrics ranging of the father’s disappointment of not having a son and being a penny-pinching control freak to struggles of inheritance and implied incest and lesbian love.
LIZZIE  Clockwise from top: Kacie Sheik (Alice Russell), Leslie McDonel (Emma Borden), Carrie Cimma (Bridget Sullivan) and Mary Kate Morrissey (Lizzie Borden) in LIZZI
Clockwise from top: Kacie Sheik (Alice Russell), Leslie McDonel (Emma Borden), Carrie Cimma (Bridget Sullivan) and Mary Kate Morrissey (Lizzie Borden) in “LIZZIE” at Portland Center Stage. Photo credit: Patrick Weishampel

Thankfully, after that initial 1/3 of the act, the script seems satisfied with having established rational and emotional motives and enough broad brushstrokes of who each of the characters are to begin having fun. Starting at the point where we begin to contemplate the murder alongside with Lizzie with the beautiful song Shattercane and Velvet Grass, LIZZIE begins to hit its stride.

It’s an admirable feat, balancing tragic drama with a few lines here and there of touches of clever dark  humor along with quite a bit of over the top visuals, varying from bloody pigeons to a spurting ax and head banging to a song titled “What the F**K Now, Lizzie?!”. Yet, it seems not so jarring now, but in line with the yearning for and expression for freedom that the audience now has bought into and is right with Lizzie Bordon in supporting rebellion and yes, reveling in it. I think everyone walked out at the end with a smile.

LIZZIE  l-r: Mary Kate Morrissey (Lizzie Borden) and Kacie Sheik (Alice Russell) in LIZZIE at Portland Center Stage.    Please credit: Patrick Weishampel    LIZZIE By Steven Cheslik-deMeyer, Tim Maner and Alan Stevens Hewitt Directed by Rose Riordan    May 24–June 29, 2014 on the Main Stage
LIZZIE l-r: Mary Kate Morrissey (Lizzie Borden) and Kacie Sheik (Alice Russell) in “LIZZIE” at Portland Center Stage. Photo credit: Patrick Weishampel

LIZZIE Show and Ticket Details

The show is playing May 24 — June 29 on the Main Stage of Portland Center Stage. LIZZIE is written by Steven Cheslik-deMeyer, Tim Maner and Alan Stevens Hewitt and Directed by Rose Riordan.

Note: This production features a live rock band, along with theatrical effects such as strobe lights, fake blood and fog. LIZZIE contains mature content, strong language and sexuality; It is recommended for ages 16+ and children under 6 are not permitted.

Performance times:

  • Tuesday – Sunday evenings at 7:30 p.m.
  • Saturday and Sunday matinees at 2 p.m.
  • Thursday matinees at noon

Ticket prices range from $34- $72 depending on the seats and date/time of performance. Sunday and Thursday matinees are the most affordable ($38-52 matinee), followed by Sunday evenings ($44-54) and weekday evenings ($44-66), and Friday and Saturday being prime show nights ($54-72).

I have a special deal to offer in that you can use the promo code PDXBLOGS to get $10 off each ticket to LIZZIE when you purchase online through the PCS ticketing website. Also, if you lucky enough to be in time, they are having a special Beer, Bikes, and Blood promotion on this Friday June 6 as part of Pedalpalooza where you can get bike parking, Deschutes’ Chainbreaker White IPA brew and snacks in a private party at 5:30pm on the PCS mezzanine before the show AND a ticket to see the 7:30 evening LIZZIE all for just $20!

Portland Center Stage Lizzie production, Opening night of #lizzieborden #lizzie #pcs_lizzie @PCS_Armory

You can find Portland Center Stage (PCS) online at Facebook PDXcenterstageInstagram @portlandcenterstage and Twitter @PCS_Armory. You’ll also find more about LIZZIE and other Portland Center Stage shows on the PCS blog.

Find out more about this musical at www.lizziethemusical.com, where you can even listen to a bit of the music to get an idea of what’s in store for you, and that studio album includes Storm Large as one of the Borden sisters and Carrie Manolakas as Lizzie Borden (you might know Carrie from her YouTube cover of Radiohead’s Creep)! Carrie Cimma who plays the housemaid on that album is the same Carrie who plays the housemaid in the Portland Center Stage production! You can also see a few sneak peak videos of other productions at the Portland Center Stage blog, as well as a preview of what the staging and costumes will be for the performance here in Portland.

Tips and Trivia

As a bonus, a few other tip and tidbits.

1. Show up a bit early for the show to enjoy a cocktail! They have a full bar, and also have a few special cocktails created to reflect these last shows of the season, LIZZIE and THE LAST FIVE YEARS. I ordered the one that was LIZZIE themed, a cocktail dubbed Life Ain’t Pear with house-infused pear brandy, triple sec, lemon, and splash of orange. Yes, there is a pear reference in the performance! Also, the bartendress Jamie who created our drinks was fabulous. You can pre-order your drink for intermission, btw. No need to chug your beverage before entering the theater- just make sure to grab a top for your drink and a straw!
Portland Center Stage Lizzie production, Ooooo the special cocktail for #lizzieborden #pcs_Lizzie Life Ain't Pear with house-infused pear brandy, triple sec, lemon, and splash of orange. #pdxcocktail #pdxdrinks Portland Center Stage Lizzie production, Ooooo the special cocktail for #lizzieborden #pcs_Lizzie Life Ain't Pear with house-infused pear brandy, triple sec, lemon, and splash of orange. #pdxcocktail #pdxdrinks

2. If you are in the neighborhood. I highly recommend Oven and Shaker as one option for a meal after the show so you can chat with your other theater companions about the fun you just had and the story. I’ve blogged about the Oven and Shaker great salad and pizzas and cocktails several times. If you just want a few cocktails after the show, within a 2 block radius besides Oven and Shaker I recommend Teardrop Lounge or Vault Martini for some cocktails. The pics below are from Oven and Shaker (Wild Fennel Sausage – potato, tomato, chilies, scallions, smoked mozzarella; the Nostrana Salad; and a Pepper Smash cocktail) and example cocktail from Teardrop.

There are many other options in the area, since Portland Center Stage is so well located in the Pearl and easy walking distance to downtown- so make it a great girls’ night or date night or night out with friends!

Wild Fennel Sausage with potato, tomato, chilies, scallions, smoked mozzarella Oven and Shaker, Cathy Whims, Pearl DistrictOven and Shaker offers as part of their happy hour the iconic Nostrana Radicchio Caeser, a small portion for half price. Clearly the portion is very generous Oven and Shaker Pepper Smash cocktail, Oven & Shaker, Cathy Whims, Wood fired pizza, Portland San Francisco Swell, Appleton Reserve rum, lime, mint, blackberry honey, Angostura bitters, egg white, Chandon brut sparkling, Teardrop Lounge, happy hour, cocktails

3. Some trivia I learned from the back stage tour, guided by Chris, I took that evening as part of the Bloggers Night. If you check the This Week at PCS Blog, they will sometimes list extra information sessions or tours you can join in on- not just for LIZZIE but for any production they have year round.

LIZZIE behind the scenes tour with guide Chris

  • They use two different kinds of blood in the LIZZIE production. There’s the usual stage kind with corn syrup which stays, but there is also another kind that has non-bleach detergent in it in order to be easy to clean. During one of the blood splattering scenes the actress playing LIZZIE has that detergent blood getting everywhere- including her eyes – but she has to finish singing through the scene before she gets a chance to run offstage to the eye rinse! That scene is already intense, now that you know that how much more crazy is it!?
     They use two kinds of blood during the Portland Center Stage production of LIZZIE, the kind with corn syrup for color/lasting and the kind with bleach to easily wash out Decapitated pigeons are pretty gross in the Portland Center Stage production of LIZZIE
  • The decapitated pigeons are really gross. They are soaked with blood- so either have to wear gloves when you handle them or as you’ll see in the production, you get bloody hands really fast!
  • There are microphones hidden in the actresses’ hair (and it is all their real hair, no wigs are used), but those hand microphones they use are also real and help them rock out above the sound level of the band. They have to do sound checks on ALL the microphones before every performance- and use thousands of batteries so order them in bulk!
  • Two of the musicians were in the band Everclear!
  • Once a performance has an opening night, there is no more changes- it is locked down and so what you will see if you see this show is going to be what I saw! It is also the first time everyone gets paid!

Thank you to Portland Center Stage for inviting me to Bloggers Night. And one last little thing… I loved the centerpieces they had for the cocktail tables of snacks for opening night, aren’t they awesome (and don’t you want to reuse that for your Halloween party?!)
Portland Center Stage Lizzie production, Opening night of #lizzieborden #lizzie #pcs_lizzie @PCS_Armory I loved the centerpieces they had for the cocktail tables of snacks for opening night, aren't they awesome?

Disclosure: I was invited to see this production as part of a complimentary bloggers event, but I will always provide my honest opinion and assessment of all products and experiences I may be given. The views and opinions expressed in this blog are entirely my own.

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