The Lion at Portland Center Stage

On Friday, I attended the opening night of The Lion playing in the Ellyn Bye Studio at Portland Center Stage from May 2 — June 14, 2015. Written and performed by Benjamin Scheuer and Directed by Sean Daniels, the description of the show The Lion reads:

One man, six guitars, and a true story of love, loss, family loyalty, and the redemptive power of music.

The Lion is a candid, poignant, charming offering from a next-generation troubadour.

The Lion  Photo © 2014 Nilaya Sabnis.  Written and performed by Benjamin Scheuer Directed By Sean Daniels May 2 - June 14, 2015 http://pcs.org/lion/
The Lion Written and performed by Benjamin Scheuer Photo © 2014 Nilaya Sabnis.

The Lion premiered in 2014 at got raves in New York during its commercial run Off-Broadway, with reviews such as

“Mr. Scheuer seems to have found a measure of redemption by exposing his own, with a directness and good humor that only the hardest-hearted could resist.” – The New York Times

“Scheuer’s songs are miniature monologues and short stories you’d otherwise expect to find in The New Yorker. The lyrics are smart and highly detailed, the music sweet and satisfying…” – Theatermania

“Poignant and unexpected! Benjamin Scheuer’s songs are powerful, charismatic, and easy to become lost in.” – NBC New York

“For Audiences, Loving Ben Scheuer Will Be Easy… he’s the kind of debonair that reminds you of F. Scott Fitzgerald, a lit match, and whisky on the rocks.” – The Huffington Post

The story of the Lion is at a high level, an autobiographical tale through 16 or so songs that deals with the relationship and legacy of a father and son, and about perseverance from the painful things that may happen in life and are out of your control.

“Truth gets revealed when you’re broken and healed,” Benjamin sings. “Every heart is made stronger by scars… It’s the way that we weather the storm”

Benjamin Scheuer performs “The Lion” at Portland Center Stage. Photo by Patrick Weishampel/http://blankeye.tv.
Benjamin Scheuer performs “The Lion” at Portland Center Stage. Photo by Patrick Weishampel/http://blankeye.tv

With his strong smooth voice, charismatic presence, and then the heartfelt, intimate musicality of his songs, it’s easy to identify with Benjamin. At first The Lion seems easy going and folksy with it’s start with childhood. It is as if you are at a house living room party together late after dinner and rounds of strong drinks on, telling stories and talking about memories.

But, then the narrative and the music gets into loss. As we follow Benjamin through time, the music and lyrics grow from his impetuous youth and typical initial musician exuberance to more reflection and sifting through multiple complex emotions at once as he matures in adulthood.

Now that you feel like you are friends with Benjamin, he will bring tears to your eyes as if that regret and longing is partially reminiscent of your own somehow. He weaves through a boy and his father, a boy out on his own, a boy and his mother, falling in love, the key that another person can unlock in yourself, about growing apart, battles, family, disappointment, anger, waiting, recovering, understanding the past in a new light, gratefulness. This is not just a story about him and his journey, but tugs at your own past and current parallels to his tale.

The music and sincerity of his performance takes you from listening to a story to resonating emotionally with the heart he is baring open to you and in doing so, opens your own heart to yourself. Don’t worry that you’ll be bawling though or the show is overly manipulating your heartstrings – there is a balance of quips of humor interspersed throughout that has you laughing through your tears. Music is the medium to the tale, but also is the tale – it is the connection to his father, to himself, and between all of us in the theater.

If you haven’t been to the Ellen Bye Studio yet, it’s a small theater where the configurations are very flexible but in general you are never very far from the stage and performers. Pretty much every seat is a good seat, and they are all unassigned, so it’s first come first serve when they open the doors. It feels like you are right there in the living room with Benjamin throughout the play, just one of a small group of friends.

Benjamin Scheuer performs “The Lion” at Portland Center Stage. Photo by Patrick Weishampel/http://blankeye.tv.

Benjamin Scheuer performs “The Lion” at Portland Center Stage. Photo by Patrick Weishampel/http://blankeye.tv

Performance Times and Prices (Wheelchair and youth/student tickets $20-25. See more details and other ticket specials for groups or military here):

  • Evenings: 7:30 PM: Tues, Wed, Thurs, Sun ($50) and Friday or Saturday ($55)
  • Matinees: 2 PM Saturday and Sundays ($40) or Noon on Thursdays ($40)
  • Note: Tickets to show in the studio are general admission: a ticket reserves you a place for a specific performance, but not for a specific seat so it’s first come first serve as you enter the theater. They open the doors about 20 minutes or so before the showtime.

The run time of the play is about 75 minutes with no intermission. The Lion is recommended for ages 13+ because of use of mature language, children under 6 are not permitted at any PCS production. Because of the small nature of the Ellen Bye Studio, there is no late seating or re-entry.

Disclosure: I was invited to see this production, but I will always provide my honest opinion and assessment of all products and experiences I may be given. The views and opinions expressed in this blog are entirely my own

Signature

Cyrano at Portland Center Stage

I was excited to see that a production of Cyrano would be at Portland Center Stage from April 4 — May 3, 2015 on the U.S. Bank Main Stage, with Opening Night last night on April 10, which I attended. You may be already familiar with the story of Cyrano via the fun modern adaption in the Steve Martin/Daryl Hannah movie Roxanne (which I confess I saw many times as a kid and still love) or more traditional Cyrano de Bergerac lavish French movie for which Gérard Depardieu was nominated for an Oscar even though it was non-English speaking (among many other 33 nominations and 20 awards the actors and movie were nominated and won). The version at Portland Center Stage (PCS) is a translation and interpretation by Michael Hollinger and Aaron Posner, and directed by Jane Jones, of the original play by Edmund Rostand (1868 – 1918) .

The PCS production of Cyrano straddles both those lines of fun and traditional, providing the lush 17th century setting in France and costumes of the original (same time period as the Three Musketeers) and flowy poetic prose, but also adapting the French romance and injecting comedy to modern sensibilities. It has both heart and humor.
Portland Center Stage production of Cyrano poster, Art by Michael Buchino
Portland Center Stage production of Cyrano poster, Art by Michael Buchino

At a high level, Cyrano is a story about a man (who actually existed in real life) who you would traditionally see as a hero- he’s a swashbuckling swordfighter, well-read and articulate enough to be witty in banter and poetic in writing, the character of Cyrano is literally the definition of panache. But, although he’s brave outwardly to everyone who perceive him, even reckless, Cyrano’s weakness is that he is not brave in love because of his own insecurity and self doubts about his looks, specifically his large nose.
Andrew McGinn as Cyrano in Portland Center Stage's new adaptation of the classic romantic comedy. Portland Center Stage production of Cyrano, photo by Patrick Weishampel/http://blankeye.tv
Andrew McGinn as Cyrano. From Portland Center Stage’s new adaptation of the classic romantic comedy, both photos by Patrick Weishampel

All of this comes to a head when the woman he loves, Roxanne, tells him she has a crush on a handsome new man in town named Christian. When Cyrano learns Christian returns that attraction, he becomes the ultimate wingman of all time to help Christian romance her.  Exciting battles and laughs but also romantic dialogue and tugging at our heartstrings follow.
(L-R) Damon Kupper, Andrew McGinn and Chris Harder in Portland Center Stage's new adaptation of the classic romantic comedy Cyrano, photo by Patrick Weishampel/http://blankeye.tv
(L-R) Damon Kupper, Andrew McGinn and Chris Harder // (L-R) Leif Norby and Jenn Taylor. From Portland Center Stage’s new adaptation of the classic romantic comedy, both photos by Patrick Weishampel

Performance Times and Prices (Rush tickets are $20, youth/student tickets $25. See more details and other ticket specials for groups or military here):

  • Evenings at 7:30 PM: Tues, Wed, Thurs, Sun ($36-63) and Fri or Sat ($36-$69)
  • Matinees: 2 PM on Saturday and Sundays or Noon on Thursdays ($36-52)

The run time of the play is about 2 hours and 20 minutes, including one intermission. Cyrano is recommended for ages 10+, children under 6 are not permitted at any PCS production.

If you don’t know the story, some thoughts to consider after watching the story are that I might suggest over cocktails or dinner include,

  1. Does Cyrano help Christian woo Roxane because he selflessly wants her to be happy? Or is he being selfish or prideful because he risks his life easily but won’t take the risk of the truth?
  2. The other men admire Cyrano for living a life where he does and says what he wants, whenever he wants, being true to himself. But that’s not true with Roxane. What part of Cyrano’s life do you think is the truth and what is the charade?
  3. Is Roxane worthy of the love of Christian and Cyrano?

As always, the Armory Cafe is always open before, during and after performances so if you want to grab a bite and a cocktail before the show,as they are always open 1.5 hours before the show, and you can take your beverage (with a lid) to enjoy during the show. Did you know you can also avoid the long lines at intermission by before going in to enjoy the first act, pre-order and pay for your drink to be ready for you at intermission with a sign at intermission? Seriously genius.

As always, they have a few themed cocktails invented based on the current shows. I enjoyed the Roxane with Campo Viejo Cava Brut Rose, St Germaine Elderflower Liqueur,  and Peychaud’s Bitters sugar cube and also the Mon Panache with Monopolowa Vodka, vanilla simple and pear nectar.
Cocktail of Roxane with Campo Viejo Cava Brut Rose, St Germaine Elderflower Liqueur,  and Peychaud's Bitters sugar cube at the Portland Center Stage production of Cyrano Cocktail of the Mon Panache with Monopolowa Vodka, vanilla simple and pear nectar at the Portland Center Stage production of Cyrano. You can pay for your order before the first act and during intermission, it will be waiting for you with a sign so you don't have to wait in the long line  You can bring your drink into the Portland Center Stage theater if you enjoy it with a lid and a straw...

If you want to continue to a meal with a French theme after the show, I would also recommend Little Bird, a French Bistro located only less than half a mile away and open until midnight everyday (and bonus, 10 PM -midnight is their late happy hour). Other nearby French options might be Brasserie Montmartre or if you are looking at eats before a matinee or after the Tuesday early show, Nuvrei or Le Bouchon.

If you are interested, there is also a special FREE event PCS will be hosting on Sunday April 26 from 4 – 7:30 PM, the La Fête de Rostand. In the Armory lobby between the matinee and evening performances of Cyrano (4:30-7 PM) they are holding a celebration in honor of the playwright of Cyrano de Bergerac, Edmund Rostand and all things French. During that time PCS will have specialty cocktails, French press coffee, champagne and pastries from the Armory Café and local musicians performing music in French.

Because I attended on Opening Night, I had a chance to enjoy a few extras, including the always fun centerpieces they have upstairs to reflect the production (Roses with Noses here for Cyrano). After the show there were some themed appetizers such as “French cheese platters”, some sort of pastry cylinder filled with ratatouille, two types of tartines, and mini galettes (galettes are mentioned in the play, as well as several other baked goods and food in 2 difference scenes!). And they had some people making balloon swords!
Beer and red and white wines flowing on Opening Night at Portland Center Stage production of Cyrano (as hinted by that centerpiece with roses and large noses) Fun centerpieces at the Portland Center Stage production of Cyrano Opening Night Fun centerpieces at the Portland Center Stage production of Cyrano Opening Night Some of the fun French themed appetizers at Opening Night of the Portland Center Stage production of Cyrano, including tartines, mini galettes, and French cheese platters and some sort of pastry filled with ratatouille Opening Night the Portland Center Stage production of Cyrano included balloon swords, ha ha

Are you familiar with the Cyrano story, from reading it in school, the movies/plays? What are your thoughts on the idea of a character/person like Cyrano?

Disclosure: I was invited to see this production, but I will always provide my honest opinion and assessment of all products and experiences I may be given. The views and opinions expressed in this blog are entirely my own.

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Portland Center Stage presents Vanya and Sonia and Masha and Spike

Until February 8 2015, Portland Center Stage is presenting a production of the Broadway hit and 2013 Tony Award winner for Best Play, “Vanya and Sonia and Masha and Spike“.

The events of  Vanya and Sonia and Masha and Spike cover when Masha, the successful youngest sister, returns home with her young lover for a costume party and see her two older siblings (Vanya and Sonia) who stayed behind to take care of their parents and never left the hometown. The play’s themes center around the relationships between adult siblings and the self-awareness of those 3 siblings in knowing they are aging and halfway through their lives.
Vanya and Sonya and Masha and Spike  Art by Julia McNamara
Vanya and Sonya and Masha and Spike, Art by Julia McNamara

As you might guess from the names of the siblings – Vanya, the oldest brother, and his two younger sisters of Sonia and Masha, there are also plenty of references to Chekhov and a bit of mocking of classic theater. If you know a little bit, you will probably get a kick about little twists that are made, such as transformation of a Seagull (one of Chekhov’s famous plays) into references about a wild turkey, allusions about a Cherry Orchard (another Chekhov play, that one also about losing of a family estate) and Vanya being anxious about the future and reminiscing about the past (just like the namesake play Uncle Vanya). If you feel you might be missing some references or inside jokes, you probably are –  I felt I did.

If you are interested, PCS always provides a Resource Guide to all their plays if you want to do a little research ahead of time, and this one for Vanya and Sonia and Masha and Spike has a lot of background in it! And, it just so happens tomorrow January 24 you can even join in on a afternoon seminar on Chekhov and Vanya and Sonia and Masha and Spike led by a Yale educated dramaturg Kate Bredeson.

But you don’t have to know anything at all about Chekhov to enjoy Vanya and Sonia and Masha and Spike.  Some things, such as how people act before coffee, a hunk stripping (or reverse stripping) to his underwear, seeing over-dramatic crying, and hearing petty sniping between people, are just simply universally understood humor.
Portland Center Stage Vanya and Sonia and Masha and Spike  L-R: Sharonlee McLean as Sonia, Eden Malyn as Nina, Andrew Sellon as Vanya, Carol Halstead as Masha and Nick Ballard as Spike (front) and in
Portland Center Stage Vanya and Sonia and Masha and Spike L-R: Sharonlee McLean as Sonia, Eden Malyn as Nina, Andrew Sellon as Vanya, Carol Halstead as Masha and Nick Ballard as Spike (front) and in “Vanya and Sonia and Masha and Spike” by Christopher Durang. Photo by Patrick Weishampel.

Vanya and Sonia and Masha and Spike, authored by playwright Christopher Durang, does carry on Chekhov’s emphasis more on dialogue and interesting characters than specific plots and events and everyone being unhappy each in their own way. But if you’ve ever watched any episode of Friends or Seinfeld or How I Met Your Mother, you’re already familiar with spending time with people just talking being entertainment enough for a viewer.
Portland Center Stage Vanya and Sonia and Masha and Spike  L-R: Nick Ballard as Spike, Carol Halstead as Masha, Andrew Sellon as Vanya and Sharonlee McLean as Sonia in
Portland Center Stage production of Vanya and Sonia and Masha and Spike L-R: Nick Ballard as Spike, Carol Halstead as Masha, Andrew Sellon as Vanya and Sharonlee McLean as Sonia in “Vanya and Sonia and Masha and Spike” by Christopher Durang. Photo by Patrick Weishampel.

I enjoyed all the characters, and all the performances by all the cast in this group are great, communicating their idiosyncrasies and self-centeredness while being endearing all at the same time.  Every character gets their moment – and each one was handled beautifully by each actor and actress. Although you are conscious about this being a play, each of these people also seemed oddly plausible and real life, not just a character. I chalk it up that even though some the character reactions are over the top, there is some sincerity of emotion coming from the performances that grounds it to more than just acting. The costuming and the stage are full of wonderful details – you can feel that all the objects on the set have a story behind them, and while the costume party costumes were exquisite, I was also coveting Masha’s morning robe.

Besides wondering what references or jokes I might have missed, the only other thing I wondered is when the time period of this play is set. Given the purported age of the characters, how can they reminisce with such strong nostalgia as if they’ve lived through the 50s and also complain about Twittering? 

The play and the production perfectly balances asking thoughtful questions and introspection about life with a tinge of melancholy, all without ever getting too moody. There is always a return to being able to laugh that life and people and our own culture can also be a bit preposterous.

There is some mature language and sexuality so PCS recommends it for ages 13+, and the closer you are to middle age or a Chekhov or theater geek, probably the more references you might enjoy in this play, although it isn’t needed. Performances, which run for the next  2 weeks until February 8, are at

  • Tuesday – Sunday 7:30 PM. ($39-63 for adults Tues, Wed, Thurs, Sun, $49-69 on Fri-Sat evening performances)
  • Saturday and Sundays at 2 PM and Thursdays at noon  ($36-52 for adults)

For a discount, save $5 with code word VOODOO. All performances are at the Armory (128 NW 11th Avenue, in the Pearl District) in the U.S. Bank Main Stage.

Vanya and Sonia and Masha and Spike runs for approximately 2 hours and 35 minutes, including one intermission. If you attend one of the 7:30 PM performances and want to have a bite/drink and chat about it, since you are not out until almost 10 PM, may I humbly point out that your closest options include Henry’s, Bluehour, Tilt, Oven and Shaker, and Fathead Brewpub, all within a few blocks.

You can also visit before the show for a drink or a bite at the Armoy. And as always you can pre-order your drink at the bar for intermission. You can bring your drink into the theater as long as it has a lid. I enjoyed a Spiked Punch they offered at the bar with Flor de Cana Silver Rum, Pineapple, Orange, Lime, Grenadine and Sprite. An option I pondered but didn’t try myself was The Cherry Orchard with Wonder Kombucha, New Deal Vodka, Bordeaux Cherry Relish and Lime.

Have you read or seen any Chekhov plays (I admit my knowledge was mainly the Seagull from school), or are there any productions from Portland Center Stage you enjoyed or are looking forward to this year?

Disclosure: I was invited to see this production, but I will always provide my honest opinion and assessment of all products and experiences I may be given. The views and opinions expressed in this blog are entirely my own.

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Portland Center Stage Twist Your Dickens, version 2014

It’s December! And holiday time! This is my favorite time of year!

While I’m brimming with holiday spirit and cheer, F is more of a grouch. While I’m excited to see sparkling lights everywhere and decked out trees with shiny ornaments (this weekend is also the worthy Providence Festival of Trees at the Oregon Convention Center) and an excuse to wear sequins at holiday parties, he’s muttering about the crowds and the killed trees. If he could, he would stay inside at home every day. I used to get excited buying presents as a challenge of thoughtfulness and also because it’s fun to gift wrap with all that pretty paper, but with his influence we no longer exchange gifts, and we put up a fake instead of a real tree. What a Scrooge right?

In previous years I’ve spent the holiday with my family, ranging from Hawaii one year to Manhattan Beach in California if I didn’t go home to Chicago for Christmas. With all the travel I’ve done this year though, this year F and I are spending the holidays here at home in Portland. I was carefully looking for events and activities that could both fulfill my need for holiday cheer while not being too over the top for Grinchy F.

Enter the fact that earlier this week we went to Portland Center Stage‘s production of Twist Your Dickens, playing at the Armory (128 NW 11th Avenue, in the Pearl District) in the U.S. Bank Main Stage.
Portland Center Stage Twist Your Dickens poster, Art by Julia McNamara running November 22 - December 24, 2014
Art by Julia McNamara

This is a show that is a sketch comedy version of the famous Christmas Carol story by Charles Dickens, and because of that nature no single show is the same. Each cast can throw in their own spins into a production by adding new content to the general outline, and add to the fact that there is a fair amount of improv. In fact, specifically you may see your suggestion thrown into that night’s show!

Make sure you come at least 20 minutes before the show because in the lobby they are collecting written confessed misdeeds you have done (anonymous of course) in the Misdeeds Booth and may uses them in the show! There will also be calls for audience suggestions to incorporate in the show, so think of interesting year from the past, or a funny/scandalous occupation and hobby, and a holiday song for instance to fill in Mad Libs style for the cast…
Tell the Twist Your Dickens cast your misdeeds and they may end up in the Portland Center Stage show that night!

This seemed to the the perfect balance of Christmas cheer and satiric humor for a couple like us. And, I know I piqued his interest when I showed him on the PCS Facebook page how somehow, there would be a Dalek in this production (he is a big Dr. Who fan). Sold! We had a cheerful time and it was fun to hear F, who doesn’t laugh heartily often, do so during the show. I was surprised to see some really fun physical comedy in the second half of the show in addition to the verbal snarkiness that I was expecting and lots of references to pop culture.
Portland Center Stage The Second City’s A Christmas Carol: Twist Your Dickens  L-R: Nicholas Kessler as the Ghost of Christmas Future and Craig Cackowski as Scrooge with a Dalek-inspired robot from the future.  Photo by Patrick Weishampel.
Twist Your Dickens L-R: Nicholas Kessler as the Ghost of Christmas Future and Craig Cackowski as Scrooge with a Dalek-inspired robot from the future. Photo by Patrick Weishampel.

The running time for Twist Your Dicken is about 1 hour and 50 minutes, including an intermission. The show does have some risque material and language, so recommended for ages 14 years old or older.

Performance times:

  • Tuesday – Sunday evenings at 7:30 p.m ($39-$63 except Saturday evening $49-$69)
  • Saturday and Sunday matinees at 2 p.m. or Thursday matinees at noon ($36-52)

There is another Christmas show at Portland Center Stage show in the Ellen Bye Studio, Santaland Diaries, which is another classic comedic look at Christmas. Use the code word “Surprise” to get $10 off any full price adult tickets to either holiday show!
December 2014 at the Portland Center Stage located at the Gerding Theater at the Armory

Also keep in mind that on the first and third Saturdays of each month (so for December that means tomorrow December 6 and also on December 20), the Gerding Theater at the Armory hosts FREE public tours at noon that last 1 hour that include a total behind the scenes look, so you might want to come see the show and then tour, or tour and then see the show. To join the tour just meet at the concierge desk inside the lobby of the building slightly before noon (I’ve taken this tour before when seeing another play).

You might also consider, as a holiday present, a Sweetness and Spotlight package they are offering! It includes a voucher that is good for two tickets for any Portland Center Stage show in the season, PLUS a dozen Cupcake Jones cupcakes (those ones with the extra stuffing inside the cupcake) as a present for $80, a value of $160 – check here for the Holiday Package.

That includes opportunities for your gift recipient to see the Broadway comedy hit Other Dessert Cities, the smaller intimate musical show The Lion (One man, six guitars, and a true story of love, loss, family loyalty, and the redemptive power of music) or Three Days of Rain (the show you may have heard stars actors from the Portland-filmed NBC television series GRIMM: Silas Weir Mitchell / Monroe and Sasha Roiz /Captain Renard) and more!

Are you seeing any holiday shows or doing any special holiday entertainment activities this month, I’m interested to find more holiday things to do!?

Disclosure: I was invited to see this production, but I will always provide my honest opinion and assessment of all products and experiences I may be given. The views and opinions expressed in this blog are entirely my own.

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Portland Center Stage Show The Last Five Years Musical

Last week,  I had a really good time attending the Portland Center Stage Show Lizzie, a musical about Lizzie Borden and possible version of the events. I went with my girl friend M (I reviewed the production and my recap of the experience,  as well as shared some trivia and tips for food and drinks before or after the show here).

But, I lamented the fact I hadn’t been paying more attention to the shows and they were now ending their 2013-2014 season (during 2 months of summer July August the theater has other short events such as various staged readings you can find out at their website, rather than production runs). Luckily,  there are two theaters on Portland Center Stage,  so there is one other show available to see. This time I made it part of a date night with F. I was particularly interested when I found out that story is slightly autobiographical, and that it is currently a movie adaption in production starring Anna Kendrick and Jeremy Jordan and written/directed by Richard LaGravenese.
Portland Center Stage The Last Five Years  Art by Michael Buchino    April 26–June 22, 2014
The Last Five Years by Portland Center Stage for 2014, Art by Michael Buchino

The Portland Center Stage Show The Last Five Years is also a musical,  and has a cast of only one man (Drew Harper as rising novelist Jamie Wellerstein), one woman (Merideth Kaye Clark as aspiring actress Cathy Hiatt), and one behind the scenes tireless pianist Eric Little during its 90 minute run time. The premise is you listen to the story from the man’s perspective going sequentially in time while simultaneously following the woman’s perspective going backwards through time in their five year relationship.
Portland Center Stage The Last Five Years  Drew Harper as Jamie Wellerstein    Please credit: Patrick Weishampel    The Last Five Years  Written and Composed by  Jason Robert Brown    April 26–June 22, 2014  in the Ellyn Bye Studio
Portland Center Stage production of The Last Five Years, Drew Harper as Jamie Wellerstein, Photo credit: Patrick Weishampel

Because of this narrative construct,  there is only one time they are present together at the same time in both their time lines, although there are moments both are on Stage together but yet are also alone. This theme of being together yet alone is one of the many topics that arise in the story, making this a great show to discuss over drinks afterwards with other friends,  whether they are single or in a relationship. Myself, I went with a Pistachio Martini with house infused pistachio vodka, Absolut Vanilla, Midori, Half and Half and crushed pistachios at nearby Piattino after the show.
Piattino cocktail of Pistachio Martini with house infused pistachio vodka, Absolut Vanilla, Midori, Half and Half and crushed pistachios Piattino cocktail of Pistachio Martini with house infused pistachio vodka, Absolut Vanilla, Midori, Half and Half and crushed pistachios

Other topics include

  • Role of breadwinner in a couple
  • Choices between work and family
  • Value of a career in defining who you are
  • How you are told to keep trying until you succeed but also the reality of how far you can go with a dream
  • What does supporting your partner really mean
  • Where is the line between asserting for yourself and being self centered
  • Where was the missed connection or point where things could have been saved or was it doomed… And how often instead of maturely ending a relationship it seems easier to do something stupid to destroy it
  • The time is also set in the 90s, so would modern communication tools like texting and internet video calls have made a difference?
  • Although unfortunately in the production it isn’t always clear what scenes are in New York versus Ohio, the environment you live can also play a role
  • He is Jewish and she is Christian, but we didn’t know enough to talk about whether religion and upbringing also played a role

As the conversation with your date(s) continues on, or maybe even only internally with yourself, there might even be reminiscing your own history of individual failed relationships. Inevitably parts of the play will resonate with something in your own past situation.

This may make it sound like the musical is quite melancholy,  but there are also threads of excitement of the rush of love, and humor in many scenes just like the course of real life. It’s also quite amazing to see the actor and actress singing their hearts out for these 90 minutes (and on some days twice a day!), with some of the songs requiring fast lyrics that they never hesitate or tumble over. There is very little speaking so they have to communicate the story as well as the distinct character quirks all in song. In particular, Merideth Kaye Clark is insanely talented – it was hard to buy that her character was a struggling actress because Merideth is incredible. And, oh, she also has a degree in neuroscience.

Portland Center Stage production of The Last Five Years, Merideth Kaye Clark as Cathy Hiatt, Photo credit: Patrick Weishampel

Hurry though as The Last Five Years will be closing on this next Sunday June 22, so only 1 week of performances is left. Lizzie closes on the following Sunday June 29. When did Portland Center Stage become our little Off Broadway theater!??!

In the smaller more intimate studio theater space downstairs, the Ellyn Bye Studio only holds 199 and has open seating,  unlike the 590 seats assigned seating arrangements of the Gerding Theater. The doors open 30 minutes before showtime so show up early to claim your seat and then send your date to bring back your lidded drinks! They have a special cocktail for The Last Five Years (though you can order whatever you’d like, even the Lizzie cocktail of course) called Bittersweet Love Song that includes Ketel 1 Citroen, Campari, Combier Orange Liqueur, Orange Bitters, Lemon Juice, and Honey Syrup.
At Portland Center Stage, they have a special cocktail for The Last Five Years (though you can order whatever you'd like, even the Lizzie cocktail of course) called Bittersweet Love Song that includes Ketel 1 Citroen, Campari, Combier Orange Liqueur, Orange Bitters, Lemon Juice, and Honey Syrup.

Also if you can sit on the left side the doors farthest from the stairs you come down to get to the floor the theater is on. The studio can be configured in many ways depending on the stage design, and for this production the stage is in the middle like runway with seats facing in either side. It does mean that you will at least half the time be listening to the actor/actress as they are singing in profile or even their back. I felt during certain emotional scenes the actor/actresses were blocked facing towards that side more.
Portland Center Stage production of the Last Five Years

And finally,  because the actors/actresses move in and out of the small space and there is no intermission,  go to the restrooms before the show and be ready to wait 90 minutes until your next visit!

The Last Five years is Written and composed by Jason Robert Brown and directed by Nancy Keystone. You can purchase tickets here. Tickets range from $30-45-55 depending on the show day and time. Performance times:

  • Tuesday – Sunday evenings at 7:30 p.m.
  • Saturday and Sunday matinees at 2 p.m.
  • Thursday matinees at noon

You can find Portland Center Stage (PCS) online at Facebook PDXcenterstageInstagram @portlandcenterstage and Twitter @PCS_Armory. Also check the hashtag #pcs_LastFive! You’ll find more about Portland Center Stage shows on the PCS blog.

Disclosure: I was invited to see this production, but I will always provide my honest opinion and assessment of all products and experiences I may be given. The views and opinions expressed in this blog are entirely my own.

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